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2021
A  PROFESSIONAL  PROFILE
Huzur   Saran   Nigam

I am an IIT-Kharagpur educated,  self-employed architect.  I was  Delhi based until November 2011, but now I am a resident of both, Delhi and Goa.

Started my career by choosing between the school of planning and architecture, Delhi and IIT-Kharagpur---graduated  in 1979; thesis-design:  a  model-2-tier-grid for Indian inter-state-bus-terminals. Freelanced for  city-architects  for two years, (namely A.P.Kanvinde, Ram Sharma, Ravindra Bhan and Jasbir Sawhney) while  attempting to exhibit the the working model of my  thesis to  the  government- bureaucracy.

Drifted into designing furniture, because neither the above nor any ideas in houses found patrons. It is  easier to  explain  today in  presence of  some completed works, that This is the way I wanted to build and no other!

By 1983, had a portfolio of furniture-designs: prototypes being developed in a workshop set up privately. To test their academic worth, sent them to the Ivy-league university Rhode Island school of design, United States as an application for a Masters in Furniture design. In May 1984, received a letter of admission and scholarship. Please note, that this portfolio must have competed with the design-work of people who were qualified graduates in furniture design, unlike me.

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Declined the offer, continued with furniture and turnkey office interiors in Delhi. The latter helped evolve a synthesis of furniture design and architectural space; ie. space, if imagined and constructed as SKIN  AROUND  FURNITURE,  and in doing so  if the  rectangular-pattern-plan be abandoned  wherever  unnecessary, the result is a significant economy of space.

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By 1987, applied this to the design of a  multi-storey apartment  block at a site in Anand Lok, New Delhi. As a demo, offered to erect a mock-up of one typical 3-bedroom apartment and detail its interiors. The project lost momentum because the government cancelled the site allotment location.

As the photographs of the model above show, the building has a lot of outer skin. This is  uneconomical, but  presents  excellent opportunity to create windows and terraces.

As a result, terraces in this 8 floor Apartment block are possible at any of 4 locations---the apartment-design is such. Also therefore, the terrace-location repeats only after 4 floors.

In the meantime, individual residential design started to find patronage in Delhi as a result of my designs in furniture. It had taken 10 years! But in 10 years I had gotten educated to understand that every Indian building a house, was building a Taj Mahal. Unfortunately, he lacked requisite finances.

I also realized that in the richest countries in the world, though people did not lack finances, they did not build. They lacked something more precious than money---the emotional will.

You have to be in love with your family to go through the rigours of building a house through the regular route of choosing an architect etc, which by the way, is the right way. A house is like jewelry. Men buy  it,  but not  for  themselves.   Likewise, men build houses, but not really for themselves.

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Houses in Delhi
Mr Menon’s house
Mr Menon’s house
C-51 Soami Nagar
Mike              Pandey’s           house
Amod Agrawal’s house
Arun Gupta’s house

A question often put to me is why did I not accept the scholarship from Rhode Island school of design? Well, my answer usually generates a second question: Then why did I apply in the first place? Well, my answer to the first question is that there is nothing that I like more than designing houses and accepting the American scholarship would have taken me away from precisely that. My answer to the second question is, that I sent my portfolio to RISD, because I had no other way of knowing the professional worth of my furniture designs.

Details developed thru having designed furniture for almost a decade resulted in a free-flowing-windowscape becoming a feature of an architectural-style, constituting the following vital features:

1) A burglar-proof detail by way of making the removal of glass from the exterior impossible. Glass is installed from outside not because it is a requirement of glass-installation. But because beadings installed from outside alone can dispel rain water. However, as you go into depth, you realize that it is only the bottom beading that works as rain-water-dispeller; the other beadings play no role. So, if the top beading and 2 vertical beadings were installed from inside, and only the bottom one installed from outside, then both purposes would be achieved. ie. glass would be installed from inside and yet rain water would be dispelled; in the bargain making it impossible for a burglar to break in noiselessly simply by uninstalling the glass.

2) A locking mechanism which works across the sliding-path of the
shutter, not along.
Along is weak. Across is strong.

3) An overlapping type shutter-design minimizing admittance of external sound-decibels

5) Minimalistic pelmets for curtains and blinds.

6) Control of blinds hanging outside from the interior without opening
the window-shutter.
Externally hung blinds exercise more effective sun control.

C-51 Soami Nagar
C-51 Soami Nagar
C-51 Soami Nagar
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C-51 Soami Nagar
Pradeep Singh’s House
Rajiv Kapuria’s house
Rajiv Kapuria’s house
C-51 Soami Nagar
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HOW WAS C-51 REDESIGNED? C-51 is the number of my house. It used to be my father’s. I availed of the luxury of inheriting it, demolishing it and rebuilding it.

Regardless of who a house is for, in the urban format of modern architecture, more than what one (should) includes in the design-criteria, one (should) excludes. This is so because on one hand urban spaces are so small and on the other, human desires so many---thanks to consumerism, the undeniable genre of our era.

Designing a residence for someone other than a king or knight or nobleman started with the implementation of the institution of democracy, which is roughly one hundred years ago, when the technology to satisfy one’s wants was NOT available, the space was.

Today the technology to satisfy ones wants is available, but the space is not.

And consumerism is inflating the list of wants resulting in people forgetting their priorities.

Mr Kalra’s House

Mr Kalra’s house [ABOVE] and Mr. Kapuria’s house [NEXT PAGE] swap sides on which the premises are entered. So the building entrance-doors are straight upfront on arrival, while the other side---the open side becomes good for greenery and lawn, entered into from within the house.

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Sides swapped, as explained at the end of the previous page.
Lawn and greenery due to the swap.
Entrance upfront on arrival, due to the swap.
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An Office Building
An Office Building
Building Entrance
Typical Floor Plan
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The 6th IIT.

Indian Institute of Technology, Gauhati was the 6th IIT. And I had been in the profession for 15 years when an architectural competition was floated by the government to create a design for it in 1994.

A 4 square mile site on the bank of the Brahmaputra, it had a small hill towards the end close to the river while the site could be entered only at the opposite end. So, to enter and then close in on to the foot of the hill by road, happened naturally.

I placed the library at the foot of this hill, stretched its bottom two floors horizontally to juxtapose into the 2 main floors and entrance of the institute, but in the vertical direction, stretched it upto the top of the hill and placed the humanities departments there---on the hill, right on top of everything in the campus.

So, if one took the lift within the library, one could go up all the floors and exit into the humanities block at the top end.

This feature would state itself further by virtue of a bridge visible from far along with the library  as  the only tall  building  on the campus, the idea being to underline yet again that technology is meant to serve mankind and not vice versa. See where Monument to Humanities is located.

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Unfortunatley, what I just said has been said many many times in the decades following. But in 1994, I was still smarting by the memory of what a 10 year old had seen in 1968 in just the trailer of 2001: A Space Odessy---the Stanley Cubric film. The 10 year old was me. I could never forget that Douglas Rain refused to open the door!

Today, when you are forced to change your phone, change your laptop, upgrade your operating system, Douglas Rain is refusing to open the door or maybe forcibly closing one. My job as an architect is to ask whether the design of one institute of Technology will be able to stop Douglas? The answer on a sober note is that we should all do what is within our power to steer life in the right direction. And the answer on an inspirational note is Why Not!--- Architecture is frozen music. Music does have the power to change your mood. So does architecture.

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GOA:  Villas  in  gated  communities, Apartments in  gated  communities, and  Stand  Alone Villas---I spent the last decade designing.

For Vianaar Homes at Anjuna
For Vianaar Homes at Anjuna
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For Vianaar Homes at Nerul
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For Vianaar Homes at Nerul
For Vianaar Homes at Nerul
For Vianaar Homes at Nerul
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For Vianaar Homes at Alibaug
For Vianaar Homes at Alibaug
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For Vianaar Homes at Asagaon
For Vianaar Homes at Asagaon
For Vianaar Homes at Asagaon
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The Disappearing Villa

A 2 bedroom villa, that looks like emerging from undulating landscape and then disappearing back into undulating landscape...... more than once, even twice, thrice.

All  visible  parts of  the villa  would  be white and  hard  in  contrast to  the  soft green scape, and parts of the roof laden with green scape..... a single storey height difference easy to trance through without realizing that one has during a leisurely walk!

A curving  drive that slopes up and terminates  under a  portico large enough to turn a car around, the house entered at this  very  level of  the drawing-dining, kitchen, verandah and swimming pool with a paragola above.

A  solitary  flight of  stairs leads down  to a  bedroom below and a bedroom above, the lower one opening into a lower lawn...... I’m searching for land to suit this design.

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How much land does a man require REDUX?

This is  to  bring  the  reader’s   attention  to  an architectural design which if implemented at the national level, has the scope to benefit the lower middle class immensely.

THE SCHEME IN A NUTSHELL:

EVERYTHING   THAT   THE   PICTURES   ON   THE   FOLLOWING 8 PAGES SHOW,   TO BE DELIVERED TO A   FAMILY OF 4 PERSONS OVER A CARPET AREA OF JUST 35 SQUARE METRES (376 SQUARE FEET).

A 2-PART SCHEME: IN WHICH AS PER   PART-1:   THE   GOVERNMENT COMPLETES   ALL   ASPECTS   OF   CONSTRUCTION AND DONATES / LOANS / SELLS EACH UNIT IN THE BUILDING TO AN ELLIGIBLE INDIVIDUAL.

PART-2:   THE INDIVIDUAL   THEN FURNISHES THE 35 SQM.   UNIT AS PER THE FURNITURE-ARRANGEMENT-PLAN AND PROTOTYPE-DETAILS MADE AVAILABLE THROUGH AGENCIES / VENDORS / AND EVEN INDIVIDUALS DIRECTLY.

Each individual   can therefore   control   how fast or slow he chooses to furnish, or which part he chooses to furnish first, because he will most probably not have the money to be able to complete all tasks in one go.

As a result, while some individuals will make use of all design-details within a few years, some will take longer. The design by virtue   of   its almost   mathematical   certainties,   will   simply become a pleasure to adhere to, rather than a compulsion.

The photographs attached are of actual construction which can be visited. Thereby the documented-design can be assessed in reality.

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It takes time for one  to believe, but  it  is true  that  the cost-difference between good design and bad design is more or less zero.

Let us understand the just said in bits and pieces, because of its importance: Architectural design is a direct result of  the  positioning of  walls  and  “no-walls.”  A “no-wall” is a window, a door.

So  what  I  am  saying  is  that  in  architectural  design  either  a  wall  exists  or  does  not. If in  the  opinion of the  user, there  exists  a  wall  where  there  should  have  been  a  window, or there  exists  a  window  where  there should have been a wall, or if both exist such that they don’t serve their intended purposes, then design has undoubtedly failed.

But  the  cost  of  this  failed-design = the  cost  of  an  immensely  successful  design, a design in which the place for not only the wall and the window, even every small or large function of the interior, is ideally suited and synchronized.

Imagine  an  area  of  35  sqm.  This  could  be  [1] (Below)  a  perfect  square measuring 5.9m x 5.9m, or  [2]  a  rectangle  measuring  4m  x  8.75m,  or  [3]  3m  x  11.66m,  or  [4]  a many-sided figure  of  35  sqm.  The  material  costs  of  all including [4] would  be  equal;  the  labour cost of [4] understandably higher, but not hugely higher.

Also  imagine  that  [4]  is  the  wall  pattern  of  the  design of a dwelling unit ideal for 4 persons---dividable  by  louvered  sliding  doors  into 2 night-time bedrooms---has  worked out to be 35 sqm  and  has  been  constructed  and  can  be  visited.  Thereby  all  claims  being made by its documented design here on this website, can be assessed in reality.

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In a nutshell, if the government constructs  sets  of  dwelling  units  of [4] and donates them or loans them or sells them  to  people  and then the  people  who  are in  possession  of  them  furnish  them  as  per designs of prototypes made available through  agencies  and  vendors, then  it  may well  be  upto  an  individual owner, how long one takes to furnish upto the fullest scope of the design from [A] to [F]

The fact of the matter is that [4] and various  prototypes, fit  in  sync---that is an architectural guarantee.

The prototypes consist of:

[A] A double box-bed with 4 storage compartments operable without having to lift the mattress; this is possible as the mattress folds and unfolds like a book within the confines of the bed.

An overhead multipurpose storage rack, concealed tube-lights  and  a concealed cabinet  fan  are  part  of this low ceiling area; low ceiling as there is a loft-compartment  also  accommodated  in  this  region.

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[B] A wardrobe  0.55  m  deep  X  1  m  wide  X  2.1  m  tall  with  carved  out  bedside  table space. (Both pictures, below)  The  entry  to  the  kitchen  lit  up  in  the  picture.  (Right, below)

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[C] The  kitchen  can  close if  required.    This refrigerator- door-style  7 feet tall  bottle rack, slides  (Right). In  combination with doors  sliding  from  a  perpendicular direction, ie. from between the fridge and the wardrobe, this kitchen  with  a  huge  window  can shut itself from the rest of the house (Far  right). All  the  storages shown in the pictures work within the kitchen-space with the efficiency of an aircraft-cockpit. An under the counter water purifier, a microwave, 2  toasters, an  180 litre fridge, a 2 burner gas-hob, a dimensionally synchronized drip-rack and sink, hot water from the toilet-geezer,.... its  all  part of the check list!

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As  said  in  the  beginning,  the  space  (35  sqm)  divides  into  two  at  the  sliding  of louvered doors.  Pages  19-22  described  all  on  one  side  of  the  louvers---A  double bed, a wardrobe, a kitchen, a toilet.  On  the  other  side  of  the  louvers,  which  is  also  the side  from which the  unit  is  entered  and  exited, there  are  2  single  beds  cum  2  double-seater  sofas (Below and on Pg 25).

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[D] Imagine the  two  seater sofas  (Below)  fitting  into  spaces  measuring  2.15m  x 0.775m each.  These  would  then  be  2  single-bedspaces  for  2  siblings  of  a  family  of  4 (2 parents + 2 grown-up children) or overnight guests and during the day function like sofas.

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[E] The  only  requirement remaining to  be fulfilled  is wardrobe  space  for  the  users  of the single  beds of this house.  0.55  m  deep  X  1.6 m  wide  X  1.  m tall is  provided for behind the  1.5m  x  0.75m  table (Above)which  doubles up as  a dining table  and  study  table. Likewise, as per the requirements  of a  the family  living  in the  unit, the  wardrobe space  can be  modified into  a  study-cabinet partly or wholly.

[F] An  8  litre  washing  machine  cum  dryer  with  a  table top to iron clothes and rack-space behind sliding louvers to dry clothes naturally, (Right) further lends dignity to human existence.  To  have  to  scramble  to  put  up  a  presentable front to unannounced visitors, does lack dignity.

“These  people  just  spend  the  day  working  and  night  sleeping. So  how  would  the  details  of  their  houses, such  as  the  ones  I

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had attempted, matter?”---I wonder how those who said this would react to what this design presents! “A waste of human resource ?” or “Maintenance of Human dignity ?”

Well, frankly I don’t care to know their answer, because I know mine..... And having maintained this truth for 42 years in itself is rewarding enough. Yes, that Low Cost Housing Proposal was made 42 years ago, in 1980.

(In reference to the context of these comments---“These people just spend the day working”---refer to Page 2B of this website)

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